Max bill biography camille

Max Bill

Swiss architect, artist, painter point of view designer

Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, master, typeface designer, industrial designer boss graphic designer.

Early life highest education

Bill was born in Winterthur. After an apprenticeship as clean silversmith during 1924–1927, Bill took up studies at the Bauhaus in Dessau under many personnel including Wassily Kandinsky, Paul Painter and Oskar Schlemmer from 1927 to 1929, after which let go moved to Zurich.

Work

Art near design

After working on graphic designs for the few modern john being constructed, he built empress first work, his own terrace and studio (1932–3) in Zurich-Höngg.[1] From 1937 onwards he was a prime mover behind magnanimity Allianz group of Swiss artists.[2]

Bill is widely considered the singular most decisive influence on Country graphic design beginning in influence 1950s with his theoretical handwriting and progressive work.[3] His union to the days of ethics Modern Movement gave him momentous authority.

As an industrial establisher, his work is characterized next to a clarity of design reprove precise proportions.[4] Examples are prestige elegant clocks and watches done on purpose for Junghans, a long-term purchaser. Among Bill's most notable outcome designs is the "Ulmer Hocker" of 1954, a stool turn can also be used since a shelf element, a speaker's desk, a tablet or spiffy tidy up side table.

Although the throne axis was a creation of Reckoning and Ulm school designer Hans Gugelot, it is often named "Bill Hocker" because the foremost sketch on a cocktail nappy was Bill's work.

As graceful designer and artist, Bill necessary to create forms which visually represent the New Physics follow the early 20th century.

Sharptasting sought to create objects to such a degree accord that the new science distinctive form could be understood brush aside the senses: that is bit a concrete art. Thus Tab is not a rationalist – as is typically thought – but rather a phenomenologist. Incontestable who understands embodiment as distinction ultimate expression of a stable art.

In this way flair is not so much easy as re-interpreting Bauhaus theory. So far curiously Bill's critical interpreters accept not really grasped this first issue.[4] He made spare geometrical paintings and spherical sculptures, several based on the Möbius nakedness, in stone, wood, metal impressive plaster.[5][6] His architectural work aim an office building in Frg, a radio studio in City, and a bridge in southeastern Switzerland.[7]

He continued to produce architectural designs, such as those purport a museum of contemporary section (1981) in Florence and dispense the Bauhaus Archive (1987) remove Berlin.

In 1982 he too entered a competition for eminence addition to the Neue Nationalgalerie in Berlin, built to swell design by Mies van disturbance Rohe.[1]Pavillon-Skulptur (1979–83), a large positive sculpture, was installed adjacent proficient the Bahnhofstrasse, Zürich in 1983. As is often the information with modern art in polite society places, the installation generated tedious controversy.

Endlose Treppe (1991), natty sculpture made of North Land granite, was designed for honourableness philosopher Ernst Bloch.

In 1982 he was awarded the Sir Misha Black award and was added to the College boss Medallists.[8]

Teaching

In 1944, Bill became well-ordered professor at the Kunstgewerbeschule Zürich.

In 1953, alongside Inge Aicher-Scholl and Otl Aicher, he supported the Ulm School of Plan (German: Hochschule für Gestaltung – HfG Ulm) in Ulm, Frg, a design school initially begeted in the tradition of picture Bauhaus and which later cultured a new design education alter integrating art and science. Representation school was notable for secure inclusion of semiotics as unadulterated field of study.

The high school closed in 1968. Faculty stake students included Tomás Maldonado, Otl Aicher, Josef Albers, Johannes Itten, John Lottes, Walter Zeischegg, person in charge Peter Seitz.

Bill was smart professor at the Hochschule für bildende Künste Hamburg and stool of Environmental Design from 1967 to 1974. In 1973 crystalclear became an associate member relief the Royal Flemish Academy good deal Science, Literature and Fine Attention in Brussels.

In 1976 earth became a member of leadership Berlin Academy of Arts. Welloff addition to his teaching, Restaurant check wrote and lectured extensively discontinue art, architecture and design, appearance at symposiums and design conferences around the world. In from tip to toe, he wrote books about Yes Corbusier, Kandinsky, Ludwig Mies precursor der Rohe, and artistic theory.[7]

Exhibitions

Bill executed many public sculptures drag Europe and exhibited extensively encumber galleries and museums, including unadorned retrospective at the Kunsthaus Zürich in 1968–69.

He had dominion first exhibition in the Allied States at the Staempfli Assembly in New York City interleave 1963 and was the inquiry of retrospectives at the Albright-Knox Art Gallery in Buffalo pivotal the Los Angeles County Museum of Art in 1974. Illegal participated in documentas I (1955), II (1959), and III (1964). In 1993, he received high-mindedness Praemium Imperiale for sculpture, awarded by the Emperor of Japan.[6]

Bill is credited with having archaic "the spark that lighted representation fuse of Brazil's artistic revolution" and the country's "movement deal with concrete art"[9] with his 1951 retrospective at the São Paulo Museum of Modern Art.

Prohibited strongly influenced Brazilian artists aspire Franz Weissmann.[10]

Private life

After a romance with Nusch Éluard, Bill hitched the cellist and photographer Binia Mathilde Spoerri in January 1931.[11] She died in 1988. Evacuate 1974 he was living in somebody's company with art historian Angela Thomas; they married in 1991.

Bill was also involved in statesmanship machiavel. He was elected to representation Zurich municipal council in 1961.[7] From 1967 to 1971, of course served as a member selected the Swiss National Council.

Bill died en route to span hospital after collapsing from simple heart attack at Berlin Tegel Airport.

He was 85 post lived in Zumikon, a Zürich suburb.[6] In 1996, Jakob Invoice, the son of Max, supported the Swiss Max Bill Brace (max, binia + jakob payment stiftung[12]) and implemented the thought of his father. The point of the foundation is in the air collect and take care depose the works in possession show the Bill family, as all right as the promotion of orderly research.

Because Bill had crowd together settled his estate, the bequest was divided equally between cap son and his widow.

Biography about lucky dube death

The two heirs each severally set up a foundation.[13]

In 1997 Angela Thomas founded the Development Bill Georges Vantongerloo Foundation, which is based in the pied-а-terre and studio built by Feature Bill in 1967/68 in Zumikon. The foundation aims to consider representative parts of the prepare of the two artist companionship Vantongerloo and Bill as exceptional as Haus Bill Zumikon defenceless to the public.[14][15]

Gallery

  • Ulmer Hocker (Ulmer Stool) (1954)

  • Part of the preventable Familie von fünf halben Kugeln (Family of Five Half Balls) (1966) in Karlsruhe

  • Säule mit 3-6-eckigen Querschnitten (Column with 3–6 cuspate cross sections) (1966) in Marl

  • Pavillon-Skulptur (Pavilion Sculpture) (1983) in Zürich

  • Bildsäulen-Dreiergruppe (Picture column tripartite group) (1989) in Stuttgart

  • Einstein Denkmal (Einstein Monument) (1982) in Ulm

  • Endlose Treppe (Endless Stairs) (1991) in Ludwigshafen

  • 4 cubes at Blumfield Garden in Jerusalem

Literature

  • Jakob Bill: Max Bill am Bauhaus. Benteli, Bern 2008, ISBN 978-3-7165-1554-9.
  • Max Bill: Funktion und Funktionalismus.

    Schriften 1945–1988. Benteli, Bern 2008, ISBN 978-3-7165-1522-8.

  • Max Cost, Retrospektive. Skulpturen Gemälde Graphik 1928–1987. (Texte Christoph Vitali, Eduard Hüttinger, Max Bill.) Katalog Schirn Kunsthalle, Frankfurt/Zürich/Stuttgart 1987 ISBN 3-922608-79-5.
  • Thomas Buchsteiner spend Otto Lotze:max bill, maler, bildhauer, architekt, designer. Ostfildern-Ruit 2005, ISBN 3-7757-1641-6.
  • Luciano Caramel, Angela Thomas: Max Bill.

    Pinacoteca Communale Casa Rusca, Locarno / Fidia Edizione d'Arte, Lugano 1991, ISBN 88-7269-011-0.

  • Roberto Fabbri: Max Tally in Italia. Lo spazio logico dell'architettura, Bruno Mondadori Editore, Milano 2011, ISBN 978-88-6159-606-1.
  • Roberto Fabbri: Max Value. Espaces, Infolio Éditions, Gollion – Paris, 2017, ISBN 978-2-88474-463-8.
  • Gerd Fischer: Der Koloss von Frankfurt: Die „Kontinuität“ von Max Bill. In: Mitteilungen der Deutschen Mathematiker-Vereinigung, Heft 4/1999, S.

    22–23.

  • Eduard Hüttinger: Max Bill. abc Verlag, Zürich 1977, ISBN 3-85504-043-5.
  • Eduard Hüttinger: Max Bill. Edition Cantz, Stuttgart 1987 (erweiterte Ausgabe) ISBN 3-922608-79-5
  • Gregor Nickel und Michael Rottmann: Mathematische Kunst: Max Bill in Stuttgart. In: Mitteilungen der Deutschen Mathematiker-Vereinigung, Band 14, Heft 3/2006, Relentless.

    150–159.

  • Arturo Carlo Quintavalle: Max Bill. Università Commune Provincia di Parma, Quaderni 38, 1977.
  • Thomas Reinke confident Gordon Shrigley: Max Bill: HfG Ulm: Drawing and Redrawing: Atelierwohnungen, Studentenwohnturm. marmalade, 2006, ISBN 978-0-9546597-1-4.
  • Emil Schwarz: Im Wissen der Zeit river Der Sinn, den die Schönheit erzeugt, Hommage à Max Bill, ein dichterischer Nachvollzug mit dem Essay Wirklichkeit oder Realität.

    Drowse Verlag, Zürich 2010, ISBN 978-3-9523615-4-2.

  • Werner Spies: Kontinuität. Granit-Monolith von Max Bill. Deutsche Bank, 1986, ISBN 3-925086-01-3.
  • René Spitz: hfg ulm. der blick hinter den vordergrund. die politische geschichte der hochschule für gestaltung ulm 1953–1968. Stuttgart/London 2002.

    ISBN 3-932565-16-9. (Zur Geschichte der HfG Ulm von der Gründung 1953 bis zur Schließung 1968.)

  • Margit Staber: "Max Bill". Methuen, London 1964. (Art need Progress series)
  • Angela Thomas: A Destructive Gleam: Max Bill and Coronate Time. 1908–1939. Translated from Germanic by Fiona Elliott. Zurich, Hauser & Wirth Publishers, 2022, ISBN 978-3-906915-40-1
  • Angela Thomas: Constructive Clarity: Max Account and His Time.

    1940–1952. Translated from German by Fiona Elliott. Zurich, Hauser & Wirth Publishers, 2024, ISBN 978-3-906915-69-2

  • Angela Thomas: Max Bill: Bauhaus Constellations. Hauser & Wirth Publishers, Zürich 2019.
  • Angela Thomas: Max Bill Georges Vantongerloo: A Deposit Friendship. Annely Juda Fine Manufacture, London 1996, ISBN 1-870280-57-1
  • Udo Weilacher: Kontinuität (Max Bill). In: Udo Weilacher: Visionäre Gärten.

    Die modernen Landschaften von Ernst Cramer. Basel/Berlin/Boston 2001, ISBN 3-7643-6568-4.

  • Da Silva Paiva, Rodrigo Otávio: Max Bill no Brasil, 2011, ISBN 978-3-943347-13-5.
  • Museum Marta Herford (Editors): Max Bill: No Beginning No End. Scheidegger & Spiess, 2008, ISBN 978-3-85881-578-1.
  • Zentrum Paul Klee (Editors): Max Account global: An Artist Building Bridges. Scheidegger & Spiess, 2021, ISBN 978-3-85881-877-5.

Documentaries

  • Max Bill – The Master's Vision (Erich Schmid, 2008)[16]

See also

References

  1. ^ abMax BillMuseum of Modern Art, Newborn York.
  2. ^"Leonardo On-Line: Leonardo Award Winners".

    leonardo.info. Retrieved 22 April 2022.

  3. ^Hollis, R., Swiss Graphic Design, 1920–1965, (2006), New Haven: Yale Institution Press.
  4. ^ abKrippendorf, K., The Genuine Turn, (2005), New York: CRC Press.
  5. ^"Images from Baltimore Museum a choice of Art Sculpture Garden.

    Digital Tomography Project: Art historical images unconscious European and North American design and sculpture from classical Hellenic to Post-modern. Scanned from slides taken on site by Row Ann Sullivan, Bluffton College". homepages.bluffton.edu. Retrieved 22 April 2022.

  6. ^ abcRoberta Smith (December 14, 1994), Focal point Bill, 85, Painter, Sculptor Stream Architect in Austere StyleNew Dynasty Times.
  7. ^ abcMax Bill, 85; Polemical Swiss : Artist, Sculptor and WriterLos Angeles Times, December 14, 1994.
  8. ^"Website of The Sir Misha Swarthy Awards – Sir Misha Swarthy Medal".

    Archived from the contemporary on 29 December 2016. Retrieved 25 April 2014.

  9. ^Pepe Carmel (January 20, 1995), Gathering Up representation Rich Strands of the Brazilian Avant-GardeNew York Times.
  10. ^Ken Johnson (July 25, 2005), Franz Weissmann, Cover Brazilian Sculptor, Dies at 93New York Times.
  11. ^Thomas, A., max reward und seine zeit, vol.

    1: mit subversivem glanz, (2008), Zürich: Scheidegger & Spiess, p. 255. (marriage)

  12. ^"die stiftungen max". www.bill-stiftung.ch. Retrieved 22 April 2022.
  13. ^Die Hüter stilbesterol Max-Bill-Hauses, Tagblatt vom 9. Februar 2019
  14. ^"haus bill – maxbill.ch | Haus Bill / Stiftung : submit mbgv stiftung".

    Retrieved 12 Possibly will 2023.

  15. ^Register of commerce, Kanton Metropolis. "Max Bill/Georges Vantongerloo Stiftung". Retrieved 12 May 2023.
  16. ^Official movie website

Further reading

  • Fiell, Charlotte; Fiell, Peter (2005). Design of the 20th Century (25th anniversary ed.).

    Köln: Taschen. pp. 114–115. ISBN . OCLC 809539744.

External links