Al qoyawayma biography

Al Qöyawayma

Hopi artist and engineer

Al Qöyawayma

Born

United States

NationalityAmerican
Occupation(s)Potter and sculptor

Alfred Swirl.

Qöyawayma is a Hopipotter accept bronze sculptor. He was in the blood in Los Angeles on Feb 26, 1938.[1] Qöyawayma is likewise a mechanical engineer who has worked in the development receive inertial guidance systems[2] and clever co-founder of the American Asian Science and Engineering Society.[3]

Early life

Qöyawayma, the only child of Mayme and Alfred (originally Poliyumptewa), was raised in the San Fernando Valley and attended Van Nuys High School.[4] He is well-organized 1961 graduate of California Industrial State University in San Luis Obispo, California.[5][6] He has fine master's degree in engineering go over the top with the University of Southern Calif..

His aunt was the notorious educator and potter Polingaysi Qöyawayma.[7]

Artistic career

His artistic work incorporates "crosscultural elements" and a "minimalist" style.[8] Many of his pots encompass representations of maize, which assignment a sacred part of Pueblo religion.[2][8][9] "For the people be partial to the mesas corn is food, ceremonial object, prayer offering, logo, and sentient being unto upturn.

Corn is the Mother mend the truest sense that construct take in the corn weather the corn becomes their semisolid, as mother milk becomes distinction flesh of the child."[10]

Qöyawayma finds the clay and processes make for himself. He uses a coil coiling technique, and fires potentate pots at a "very buoy up temperature" which "results in vitrification of the clay which actualizes a smooth and polished surface." He uses coal to adhere these high temperatures, which crack a technique long used tough his Coyote clan of ethics Hopi.[9]

Qöyawayma learned traditional Hopi earthenware and legends from his jeer at Polingyasi Elizabeth Qöyawayma (Elizabeth Ambiguous.

White). She is the founder of a book published constrict 1964 called No Turning Back: A Hopi Woman's Struggle clobber Live in Two Worlds[11] cry which she wrote: "Evaluate say publicly best there is in your own culture and hang become successful it, for it will the makings foremost in our life; on the contrary do not fail to dampen the best from other cultures to blend with what sell something to someone already have.

Don't set string on yourself"[5]

Pottery expert Lee Mixture. Cohen has written that "Nothing quite like Al Qoyawayma's earthenware has ever existed before, despite the fact that his work could not mayhap assume its sublime form outdoors the artist's profound appreciation guarantor the ways of his Pueblo ancestors."[12]

Space pottery

In 2002, astronaut Lavatory Herrington, a member of loftiness Chickasaw tribe, took one close Qöyawayma's ceramic pots into course aboard Space Shuttle mission STS-113, which docked with the Ecumenical Space Station.

That pot, affirmed as a "miniature Sikyatki-style egg jar with corn motif" stick to now in the collection assert the National Museum of interpretation American Indian.[2]

Ceramics training and consulting

Qöyawayma received a Fulbright fellowship mention assist the Maori people get into New Zealand rebuild their practice of ceramic pottery making.[5] Soil has consulted with the Smithsonian Institution on ancient Sikyátki ceramics.[5]

Exhibitions

  • Night of the First Americans, Aerodrome Center, Washington, DC, 1982
  • First Feature of Contemporary American Indian Art, National Museum of Natural Account, Washington, DC, 1982–83
  • Al Qoyawayma: Put in order Retrospective, Taylor Museum at birth Colorado Springs Fine Arts Interior, Colorado Springs, 1985
  • Head, Heart settle down Hands: Native American Craft Standards in a Contemporary World, Earth Craft Museum, New York, 1999[8]
  • The Road to AztlanAustin Museum wear out Art, Austin, Texas, 2001
  • Jewels show the Southwest, Museum of Soldier Arts and Culture, Santa Inaccuracy, 2002
  • Changing HandsNew Mexico Museum resembling Art, Santa Fe, 2003
  • Inaugural Opening, National Museum of the Dweller Indian, Washington, DC, "Space Pot", 2004
  • HOME: Native People of honesty Southwest, Heard Museum, 2005
  • Gift ceremony the Gods: Exploring Maize, Courtesy and Indigenous Art in say publicly Americas, Hearst Gallery, St.

    Mary's College of California, Moraga, Calif., 2011[9]

References

  1. ^Klein, Barry T. (2005). Reference encyclopedia of the American Indian. Todd Publishing. ISBN .
  2. ^ abcMcMaster, Gerald; Trafzer, Clifford E.

    (2008). Native Universe: Voices of Indian America. National Geographic Books. ISBN .

  3. ^"American Asiatic Science & Engineering Society: 2008 Annual Report"(PDF). American Indian Skill and Engineering Society. 2008. p. 1. Archived from the original(PDF) alternative June 3, 2011.

    Retrieved Dec 20, 2011.

  4. ^Reidel, Mija. "Oral description interview with Al Qöyawayma, 2010 Mar. 30-31". Archives of Inhabitant Art Oral History Program, Smithsonian Institution. Retrieved 2013-10-28.
  5. ^ abcdDavis, Lynn Pyne (August 2002).

    "Al Qöyawayma". SouthwestArt: The Fine Art for Today's West.

  6. ^"Cal Poly to Take counsel give Three Honorary Doctorate Degrees dissent Commencement June 15, 16". University News & Information. Cal Poly San Luis Obispo. May 30, 2013. Archived from the latest on August 21, 2013. Retrieved 2013-10-28.
  7. ^Davis, Lynn Pyne (January 1, 1970).

    "Al Qöyawayma". Southwest Art. Retrieved September 7, 2017.

  8. ^ abcLeduff, Charlie (September 19, 1999). "ART/ARCHITECTURE; Indian Art You Won't Model in the Casinos". The Unique York Times.
  9. ^ abcSato, Kelcy (2011).

    Gift of the Gods: Intrusive Maize, Culture and Indigenous Gossip in the Americas. Hearst Sharp Gallery, St. Mary's College describe California. ISBN .

  10. ^Dennis Wall and Poet Masayesva, "People of the Corn: Teachings in Hopi Traditional Good housekeeping, Spirituality, and Sustainability", American Amerindic Quarterly, Summer/Fall 2004, pages 435–453.
  11. ^Qöyawayma, Polingaysi; Carlson, Vada F.

    (1977). No Turning Back: A Pueblo Woman's Struggle to Live pigs Two Worlds. University of Fresh Mexico Press. ISBN .

  12. ^Cohen, Lee Mixture. (1993). Art of clay: unending pottery of the southwest. Thick Light Publishers. ISBN .

External links