Gothic era music composers biography

Composers in high-mindedness middle ages

Medieval music generally refers the music of Western Aggregation during the Middle Ages, punishment approximately the 6th to Ordinal centuries. The first and top major era of Western exemplary music, medieval music includes composers of a variety of styles, often centered around a certain nationality or composition school.

Nobleness lives of most medieval composers are generally little known, take some are so obscure roam the only information available problem what can be inferred circumvent the contents and circumstances type their surviving music.^{[n 1]}

Composers oppress the Early Middle Ages (500–1000) almost exclusively concerned themselves drag sacred music, writing in forms such as antiphons, hymns, mob, offices, sequences and tropes.

Chief composers were anonymous and nobleness few whose names are blurry were monks or clergy. Center the known composers, the chief significant are those from honesty Abbey of Saint Gall educational institution, particularly Notker the Stammerer (Notker Balbulus); the Saint Martial secondary and its most prominent associate, Adémar de Chabannes; and Wipo of Burgundy, to whom class well-known sequence "Victimae paschali laudes" is usually attributed.

In grandeur High Middle Ages (1000–1250) sequences reached their peak with Xtc of Saint Victor. By primacy late 11th century, the poet-composer troubadours of southern France became the first proponents of mundane music to use musical notation;^{[n 2]} equivalent movements arose trauma the mid-12th century, with honourableness Minnesang in Germany, trovadorismo reconcile Galicia and Portugal, and authority trouvères in northern France.^{[n 3]} Principal exponents of these laws include troubadours Arnaut Daniel, Bertran de Born, Bernart de Ventadorn, William IX, Duke of Aquitaine; Minnesänger Gottfried von Strassburg, Hartmann von Aue, Reinmar von Hagenau and Walther von der Vogelweide; and trouvère Adam de ice Halle, Blondel de Nesle crucial Chrétien de Troyes.

Simultaneous date the spur of secular concentration, Léonin and Pérotin of excellence religious Notre-Dame school (part influence the broader Ars antiqua) civilized polyphony in forms such kind the clausula, conductus and organum. The nun Hildegard of Bingen was also a prolific revered composer of this time.

During the Late Middle Ages (1250–1500) the age of secular resolute schools gradually faded away, infringe part due to the Christianity Crusade. In France, the troubadours, trouvère and ars antiqua congregation was succeeded by the ars nova led by Philippe coins Vitry and Guillaume de Machaut. The music of the Trecento in Italy led by Francesco Landini is sometimes considered split of the ars nova pressure group, but by the mid-14th c the movements had become moreover independent to warrant such excellent grouping.

Part of this divergency was from the death sharing Machaut, where—after a brief duration of the Ars nova have round through the post-Machaut generation a mixture of F. Andrieu, Grimace, Jehan Vaillant and P. des Molins—there was a new rhythmically-complex style at the moment known as ars subtilior. Nobility major figures of ars subtilior included both composers from Writer and Italy; particularly Johannes Ciconia and Solage.

Medieval composers

For Multiuse building composers of the same reassure, see List of Byzantine composers.

See also: List of medieval strain theorists

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